"this city was tailor-made for love"
On Christmas afternoon, with all the shops and malls closed, I stayed at home and watched a DVD of Alan Resnais' Hiroshima Mon Amour that Elmo had mailed me, disguised as a GRE reviewer. The screenplay was written by Marguerite Duras, and as I watched it I remembered why/how I fell in love with her writing upon reading the semi-autobiographical The Lover (still one of the most intelligent erotic books on my list). The film tiptoes around the lovers' infidelity to their respective spouses, and doesn't tackle the interracial love head-on; the focus is on the tension between memory and forgetting, between the construction and fragmentation of a self, between personal and communal history (as the story's set years after World War II) --- and the tensions are so ambiguous and intertwined, and edgy. I was surprised the film was made in 1959 --- its fractured stream of consciousness technique, montage of war scenes, parallel shots, and self-consciousness as a narrative, make it feel so contemporary. And while parts of it reminded me of a poem by Dunn, there's always a sense of worlds and stories and unspeakable things hovering above and beyond the lovers themselves. Hiroshima Mon Amour gets away with a bordering-on-trite statement like "You give me a tremendous desire to love," and finishes with the most poignant act of naming I've ever seen in a film."Tell me more. Tell me. In a few years, when I have forgotten you, and other adventures like this one will happen to me from sheer force of habit, I'll remember you as the symbol of love's forgetfulness. I'll think of this story as the horror of forgetting. I already know it."

On to other luxuries... I'm so happy with the Christmas gifts I bought for myself: